Described as extraordinary, powerful and real I am absolutely thrilled to see my work FRACTIONS OF TIME IN MOTION showing as part of a video loop of the Art-science+environment exhibition at Vital Transformations, JD Reid Art Gallery in New Plymouth. The exhibition runs till the end of the month.
FRACTIONS OF TIME IN MOTION is an experimental attempt to capture the illusion of time. Our relationship with time/space/matter is challenged by the clapping of hands immersed in flowing river water. “We should be able to create an entirely new universe”; “…in particular it’s just easy to do with my hands. When they collide, we might have a Big Bang” Quoted from BBC Horizon, (2001), Parallel Universes (Alan Guth, Burt Ovrut, Ph.D.). Clapping then literally becomes history in the making with this natural body of water carrying history of all time.
Some snippets here, please check it out
So excited to announce the publication of the latest issue of Sachet Mixte Women’s Arts Journal!
Along with fourteen other female artists from around the world, this issue showcases ten of my recent works, which include 3D, acrylic, mixed media, film stills and digital media.
I use a variety of media for the subjects I wishes to explore, often encompassing the concept of time and space. Some of these and other works can be viewed on my artist website ingrid-vanamsterdam.artistwebsite.com. Enjoy!
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Looking forward to the 31st! I feel so privileged to be invited to show my video “FRACTIONS OF TIME IN MOTION” at the River Cinema alongside some amazing artists! Look forward to meeting all this week 🙂
Please read the latest article on http://www.intercreate.org/2015/01/nanavut-2015/
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As I wrote the update of my “Context” page, I mentioned my brother Louis, and would like to elaborate a little on this, wanting to share with you what he wrote for the publication for, and his contribution to, the exhibition at the Fort aan de Drecht in Amsterdam in 1986:
‘I don’t want a purely rational concept for a piece of art
I am looking for an archetypical rendition of a deep inner feeling.
It can be expressed in a place where the event or the image belongs and in which the myth of our existence and history is kept.
An obelisk is a materialization of that which indicates the higher; ‘the higher’ however is not to be captured in ‘spatial objects’. Spatial objects are subject to the limitation of space and furthermore the limitless is difficult to express in matter.
I burn the symbol (the obelisk), release it from its spatial limitation, the smoke rises.
In this given the elements are absorbed as birth and death, come into being and decay, and besides it is also very beautiful to watch someone breathe fire.
Only the ashes and the myth of the obelisk remain.’
~ Louis van Amsterdam (1986)