The image of a locomotive above a stream as if coming out of nowhere. The movement in the water reflecting its light onto the wall. The whiteness of the wall below in contrast to the darkness in the background.
March 2014
http://ingrid-vanamsterdam.artistwebsites.com/featured/ghost-train-ingrid-van-amsterdam.html
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Another great example for an amazing look in acrylic, in which the acrylic nearly becomes non existent. To see what Water Wall looks like in acrylic please click here, or visit my website Ingrid van Amsterdam CREATIVE for more. The images on my site can be ordered also as canvas prints, framed prints and posters, metal prints, greeting cards, phone cases, and throw pillows.
water canvas prints
wall canvas prints
reflection canvas prints
movement canvas prints
abstract canvas prints
water photos
wall photos
reflection photos
movement photos
abstract photos
water framed prints
wall framed prints
reflection framed prints
movement framed prints
abstract framed prints
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wall iphone cases
reflection iphone cases
movement iphone cases
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wall throw pillows
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I love my transformative space series, and they would look great in acrylic print! You can have a look at my acrylic prints available on my website Ingrid van Amsterdam CREATIVE, or view any of the links below:
space acrylic prints
light acrylic prints
movement acrylic prints
moving image acrylic prints
green acrylic prints
blue acrylic prints
black acrylic prints
stripes acrylic prints
So this is the string drawing I completed in April.
The idea was to create an image without first using pencil or pen, and to let the string do the drawing.
It was an experimental and organic process in which it showed my tendency to be precise and controlled ~ everything had to be in the exact right place. I did this process starting with a beige wool recycled from an unravelled jersey, then a burgundy, wool from the same old jersey. I loved working in layers, creating depth, as well as perspective with lines disappearing into a vanishing point. My aim was to create movement, into, and out of, the image.
Once I had finished with the broken fence I was ready to put some slack in the wool and let it hang naturally. (Actually I did this with the little sheep in the background also.)
It was only later that I really felt the need to let the material do its own thing, by almost throwing the light blue cotton on the pins already there, transforming the upper part of the image.
Lines, letters, colour and movement, the one below almost looking like a sketch.
Ingrid van Amsterdam 